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Presenter: Jean Mendy Dievenson GENEUS

Faculty Sponsor: Carolyn Crotty Guttilla

School: Massachusetts Bay Community College

Research Area: Music

Session: Poster Session 2, 11:30 AM - 12:15 PM, Auditorium, A82

ABSTRACT

Originating in Haiti in the 1950s by the artist Nemours Jean Baptiste Kompa has evolved from a national rhythm into an internationally recognized musical genre. It blends combination of music styles from Africa, Europe, Latin, particularly incorporating elements of traditional Haitian meringue, jazz. This study explores how Kompa evolved from traditional Haitian meringue into a structured and modern musical genre characterized by steady rhythm, melodic guitar lines, brass instrumentation, and a distinctive dance style. Over decades, it expanded beyond its national origins and became an internationally recognized form of Caribbean music and has its presence on international music scenes. Kompa plays a central role in Haitian social life, shaping celebrations, nightlife, and community gatherings both in Haiti and throughout the diaspora. It has a musical influence on other cultures and some famous international songs.  Its designation by UNESCO as part of Haiti’s cultural heritage affirm it’s artistic and historical value. The establishment of July 26 as Kompa Day in New York City demonstrates its impact on one of the world’s most culturally influential urban centers. Through its rhythmic structure, social presence, and emotional resonance within the Haitian diaspora. Kompa represents more than music, it embodies history, identity, and collective memory across generations.