Black history in America is wrought by both innovation and exploitation, often falling under hegemonic whiteness rather than being properly accredited. Black American music has faced a paradox since its inception; the artists found themselves excluded from the mainstream music industry, yet their artistry has been widely acclaimed by white artists, leading to commercial awards and historical recognition. This study examines the racial disparity faced by Black artists in rock music—a genre they pioneered but have been systematically underrepresented in. This research draws on Safiya Noble’s (2018) framework of “algorithms of oppression”. Noble argues that technology is not a neutral tool but rather reflects and amplifies the biases of its creators and the historical data used to train it. Thus, this research tests whether Spotify’s different curation systems perpetuate historical injustices. Data on artist representation will be gathered from 18 rock playlists from each of Spotify’s editorial, algorithmic, and community-curated methods. Each artist’s race will be classified using verifiable, source-cited data. Statistical analysis (i.e., chi-square tests) will determine whether the proportions of Black artists vary significantly between each curation method. The goal is to determine whether digital platforms significantly perpetuate past inequalities, revealing that there is yet to be true neutrality in the logic of algorithms and systemic curation. 

Originating in Haiti in the 1950s by the artist Nemours Jean Baptiste Kompa has evolved from a national rhythm into an internationally recognized musical genre. It blends combination of music styles from Africa, Europe, Latin, particularly incorporating elements of traditional Haitian meringue, jazz. This study explores how Kompa evolved from traditional Haitian meringue into a structured and modern musical genre characterized by steady rhythm, melodic guitar lines, brass instrumentation, and a distinctive dance style. Over decades, it expanded beyond its national origins and became an internationally recognized form of Caribbean music and has its presence on international music scenes. Kompa plays a central role in Haitian social life, shaping celebrations, nightlife, and community gatherings both in Haiti and throughout the diaspora. It has a musical influence on other cultures and some famous international songs.  Its designation by UNESCO as part of Haiti’s cultural heritage affirm it’s artistic and historical value. The establishment of July 26 as Kompa Day in New York City demonstrates its impact on one of the world’s most culturally influential urban centers. Through its rhythmic structure, social presence, and emotional resonance within the Haitian diaspora. Kompa represents more than music, it embodies history, identity, and collective memory across generations.